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2016. Performance, lights, scripts. Screens and holes and masks. Video, sound, and treated props.

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additional notes from 2016:

makeovers for the post-processed afterlife, alter egos, detritus (online and off), a virtual media star on every screen, thoughts about a celebrity plane of existence which bears no resemblance to our own, about REAL HOUSEWIVES, about drag, about adverts that sell objects that can never quite be defined, the word “slippery”, thoughts of self commodification to make ends meet.

 
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